On Saturday 25th of January, I travelled once again to London for an audition - this time, hopefully for a place in the Young Pleasance Company at this year's Edinburgh Fringe. In this post, we’ll explore what the Young Pleasance is, its history at the Edinburgh Fringe, notable past productions and alumni, and I'll offer my reflections and practical tips regarding the audition workshop.
What is the Young Pleasance?
The Young Pleasance is an acclaimed youth theatre company that offers performers aged 16-21 (yes, that made me the oldest person there) the chance to develop their skills and showcase their talent at the Edinburgh Fringe Festival. The company is renowned for being ensemble and devising based, which appealed to me and my physical, imaginative performance style.
This program isn’t just about putting on a show, however; it’s about founding a community of like-minded theatre-makers. I certainly discovered some passionate and welcoming characters, and enjoyed a drink and a discussion afterwards - fingers crossed I get a place.
What is the Edinburgh Fringe?
The Edinburgh Fringe Festival is the largest arts festival in the world, taking place every August in Scotland’s historic capital. With thousands of performances across genres—including theatre, comedy, dance, and music—the Fringe is a melting pot of creativity, attracting performers and audiences from around the globe.
Performing at the Fringe is a bucket-list achievement for many actors (I am yet to do it), and the Young Pleasance offers a perfect way to fulfil that goal. Heading to the Fringe isn't just about the performance; it’s about being part of an electrifying cultural phenomenon.
Past Pleasance Productions and Alumni
The Young Pleasance has a rich history of producing high-quality, innovative theatre at the Fringe. Past productions include The Lost World, The Tempest, and The Red Shoes, each showcasing the ensemble’s ability to combine striking visuals, dynamic choreography, and compelling storytelling.
Alumni of the Young Pleasance have gone on to impressive careers in theatre, film, and television. Notable names include actors like Ruth Wilson and Tom Hiddleston.
I also found myself in the footsteps of my fellow York students, Ines Aresti and Cerilia Chamberlain (who recently directed me in Image of an Unknown Young Woman.) It was nice to be able to relate to my fellow auditionees via these names.
Advice for Actors: The Audition for the Young Pleasance, 2025
The audition ran from 10:30 - 15:30, with a half an hour break for lunch. The workshop began with a warm-up (it certainly was warm with fifty or so of us crammed onto the small revolving stage, walking around the space) and then we worked on outside-in characterisation based on archetypes. These included the King, where we led with our forehead. The Mother, leading with our chest. The witch, leading with the nose. The rebel, leading with stomach. The player, leading with the hips. The hysteric, which was a fluctuation of movements. And one where we led with our knees, but I can't remember the name given to that archetype. I did feel like Kevin from Kevin and Perry.
This exercise was about spontaneity and play - how much fun could we have with these larger-than-life characters. I particularly enjoyed this exercise because I am a very physical actor, and I enjoy physiognomy as a metaphorical expression of character and mood.
We then worked with text and randomly created small groups to "devise" explorations of them. I found this difficult, as people jumped in with a billion ideas without really breaking the text down and understanding what it demanded. My advice to actors in this situation is keep motivated and support the team; remember that the judges are looking for those who can work together and be enthusiastic as much as they are "talent" - whatever that means.
For example, in one moment I did a forward role to "jump" into the sea, adding a "splosh!" to laughter.
The best advice for actors auditioning for the Young Pleasance is to have fun. That's why we make theatre in the first place. -to entertain.
Extra Advice for Actors: How to Prepare for the Young Pleasance Audition Workshop
1. Research the Company and the Fringe
You're doing that by reading this blog post. But, seriously, have a look at the Young Pleasance website and ensure that it's something you can commit to, as there is an R&D period in April and then most of June to August you need to be free for the Fringe.
2. Be Ready to Collaborate
The Young Pleasance values ensemble work. Show that you’re a team player by listening to others, building on ideas, and supporting your fellow auditionees. This isn’t just about showing off your individual talent; it’s about how you fit into a group.
3. Bring Energy and Creativity
Come prepared to engage fully with the exercises and improvisations. Directors will be looking for actors who bring enthusiasm, commitment, and original ideas to the table.
4. Wear Comfortable Clothing
You’ll likely be moving a lot during the workshop, so wear something that allows you to move freely. Avoid restrictive outfits or anything that might make you self-conscious.
5. Be Yourself
Finally, don’t try to second-guess what the directors want. Show them who you are and what you can bring to the production. Authenticity goes a long way in making a memorable impression.
Final Thoughts
If you're thinking of auditioning for the Young Pleasance next year or beyond, then go for it. It's a brilliant opportunity to showcase your passion for theatre-making, meet like-minded people, and find a golden ticket to the Edinburgh Fringe - a life-altering experience in itself (or so I've heard.)
Remember to have fun!
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