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Dylan Day's Thoughts on Short Stories

Writer's picture: Dylan DayDylan Day

Updated: Dec 13, 2024

I have never been a fan of short stories. There, I said it. I'm someone who likes to get lost in the complexities of a vast world and colourful characters, as created in a novel. I often find short stories are "thin". That's due to their form - they need to be concise. For someone who is always ambitious for more, short stories just don't cut it. However, I have become a hypocrite in that I am trying my hand at writing short stories.


You can read about how to write a short story here. This entry, however, regards my (Dylan Day's) thoughts to writing short stories.



Two short stories written by Dylan Day, available on this website
Two of Dylan Day's Short Stories, The Forest of Nimrinor: A Short Story & The Doorman of Elevator Fifty-Two

(You can read the above stories, here)


As I await responses from literary agents for The Falling Sun, I have turned to writing short stories. I use these to explore the worlds of my previous works. They expand their universes, build character backstory, and I find it easier then to jump into the narrative. These current focuses are The Falling Sun and The Forest of Nimrinor. This cultivates a brand, engaging audiences through familiarity yet difference.


I am one of these writers, like J.R.R Tolkien or Thomas Hardy, who desire for all their characters to be in the same world. I believe that stories are about world-building. Creating your own reality.


As for my twist on short stories, I want them to be action-packed. My writing does incorporate symbolism and metaphor, but it does it in a way that is accessible to all readers. I want readers to be entertained, excited, frightened, and not confused. But I also want character exploration and slower-paced chapters when necessary, unlike that of commercial fiction.


My issue with short stories (or at least those that I have read, and especially those in writing competitions) is that they are often all the same. A writer describes some old person who never moves from their chair. Or it's about the tree on the corner block which sees time pass. Or a eulogy for someone who passed away. They are static stories. More like photographs.


Here is what I think a short story should be:

  • Like the main plot of a novel but condensed - start at the end

  • A snippet of a character's internal monologue - delve into the mind of the character

  • Dynamic (not a "photograph")

  • A microcosm of a wider world, a wider story


And that's pretty much it.




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